Framed Plate No.21; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Rugs- Carpets & Textiles The Regency period reverse glass

The Regency period reverse glass paint and foil picture presented in its original ebonised frame depicting Christ riding into Jerusalem inscribed from Matthew 21:8-10 ‘And a very great multitude spread their garments in the way

She married Charles Stirling Home Drummond-Moray

Moo hah hah

An impressive head of an Indian antelope or Blackbuck

The assortment of medieval stained glass fragments surviving from the middle of the fifteenth century through to around 1550

Framed Plate No.21; Anatomical Studies of Bones & Muscles, for the use of Artists; Flaxman/Landseer c.1833 sub-Rugs- Carpets & Textiles The Regency period reverse glassOrigin: English Period: Early 19th Century Provenance: Unknown Date: c. 1833 Height: 20. 5 inches (in frame) Width: 13. 5 inches (in frame) London. M. A. Nattali. Folio. In portrait form, the framed and glazed single engraved plate leaf, numbered Pl. 21, taken from Anatomical Studies of the Bones and Muscles, for the use of Artists, the drawing by the late John Flaxman, Esq. R. A. Engraved by Henry Landseer depicts the muscles and bones of the forearm